Aubusson tapestry woven in the Berthaut workshop.
Complete with label.
Jean Picart le Doux is one of the foremost figures in the renaissance of the art of tapestry. His earliest contributions to the field date back to 1943 when he designed cartoons for the passenger ship “la Marseillaise”. A close associate of Lurçat, whose theories he would adopt (limited palette, numbered cartoons…), he was a founding member of the A.P.C.T. (Association des Peintres-cartonniers de Tapisserie), and soon after, a teacher at the Ecole Nationale Supérieure des Arts Décoratifs. The state gave him several commissions most of them at the Aubusson workshop, and some at the Gobelins : the most spectacular of these being for the University of Caen, the Theatre in Le Mans, the passenger ship France or the Prefecture of the Creuse département … In as much as Picart le Doux’s aesthetic is close to that of Lurçat, so also is his inspiration and his subject matter, although in a register which is more decorative than symbolic, where he brings together heavenly bodies (the sun, the moon, the stars…), the elements, nature (wheat, vines, fish, birds…), man, literary quotation …
This model is one of the two tapestries by Picart le Doux which figured in the seminal exhibition of 1946. It is characteristic of his early work with its central figure clothed in a leotard against a background animated by a repetitive design (cf also “arlequin”, “l’oiseleur”,…) and is one of a series all of the same dimensions representing the Seasons : “Ceres” and the famous “Hiver” (winter) from 1950,…
Exhibition Catalogue La Tapisserie Française du moyen âge à nos jours, Paris, Musée d’Art moderne, 1946, n°292
Maurice Bruzeau, Jean Picart le Doux, Murs de soleil, Editions Cercle d’art, 1972
Exhibition Catalogue, Jean Picart le Doux, tapisseries, Musée de Saint-Denis, 1976
Exhibition Catalogue Jean Picart le Doux, Musée de la Poste, 1980
Exhibition Catalogue 2017 l’année Cavaillès, le théatre en tapisserie, Sorèze, musée dom Robert, ill. n°2 p.18