Aubusson tapestry woven in the Pinton workshop.
Complete with certificate of origin signed by the artist n° 5 of 6.
Jean Picart le Doux is one of the foremost figures in the renaissance of the art of tapestry. His earliest contributions to the field date back to 1943 when he designed cartoons for the passenger ship “la Marseillaise”. A close associate of Lurçat, whose theories he would adopt (limited palette, numbered cartoons…), he was a founding member of the A.P.C.T. (Association des Peintres-cartonniers de Tapisserie), and soon after, a teacher at the Ecole Nationale Supérieure des Arts Décoratifs. The state gave him several commissions most of them at the Aubusson workshop, and some at the Gobelins : the most spectacular of these being for the University of Caen, the Theatre in Le Mans, the passenger ship France or the Prefecture of the Creuse département … In as much as Picart le Doux’s aesthetic is close to that of Lurçat, so also is his insipiration and his subject matter, although in a register which is more decorative than symbolic, where he brings together heavenly bodies (the sun, the moon, the stars…), the elements, nature (wheat, vines, fish, birds…), man, literary quotation …
Reproduced as n° 149 in Bruzeau, his commentary reads : “These elements, of which some are already familiar in his work, result in a composition possessing a mysterious atmosphere which is somehow unsettling”. The diverse elements of the design (hourglass, shell, geometric shapes,…) give to the whole the atmosphere of a curiosity cabinet which in itself implies study, retirement from the world, and, why not, “silence”. A similar tapestry, with no certificate, is kept at the Musée Jean Lurçat et de la Tapisserie Contemporaine in Angers.
Maurice Bruzeau, Jean Picart le Doux, Murs de soleil, Editions Cercle d’art, 1972
Exhibition catalogue 25 ans d’art textile, 1968-1993, Angers, Musée Jean Lurçat et de la Tapisserie Contemporaine, 1994, reproduced on page 83.