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  • Lumière du silence (Light of the silence)

     
    Aubusson tapestry woven in the Legoueix workshop. Complete with signed label, n°3/4. Circa 1970.  
    Originally a sculptor exploiting very diverse materials (steel, concrete, clay…), Borderie came to tapestry with immense enthusiasm in the 1950’s with the weaving of his first cartoon in 1957. Receiving encouragement from Denise Majorel, he was awarded the Grand Prix National de la Tapisserie in 1962. In 1974 he was appointed as director at the Ecole Nationale des Arts Décoratifs at Aubusson but he resigned from this post shortly thereafter. He designed over 500 painted cartoons, abstracts using simple shapes, shading in a limited palette of colours and weaving with gros points.   A dynamic abstraction with a limited colour scheme running from orange to brown, abstract motifs which play on the plastic effect of light passing through the colours : a classic cartoon from André Borderie.   Bibliography : Exhibition catalogue André Borderie « pour l’homme simplement », Angers, Musée Jean Lurçat et de la Tapisserie Contemporaine 1998 J.J. et B. Wattel, André Borderie et la tapisserie d'Aubusson, Editions Louvre Victoire, 2018
  • Camargue

      Aubusson tapestry woven in the Pinton workshop. Complete with certificate of origin signed by the artist n° 4 of 6. 1963.   With a taste for the large-scale, influenced by Untersteller at the Ecole des Beaux Arts, Hilaire undertook numerous mural paintings. In the same vein, beginning in 1949, along with a number of other artists stimulated by Lurçat, (he would join the latter at the A.P.C.T. Association des Peintres-Cartonniers de Tapisserie) he designed a number of cartoons some of which were woven at Beauvais or at Les Gobelins.   His figurative cubist-influenced style (which sometimes approaches abstraction) is immediately recognisable in his tapestry cartoons : in this one, but also for example in the one designed for the Salon Fontainebleau for the ocean liner France, “Sous-bois” (undergrowth) (190 x 988 cm, Pinton frères, reproduced in Le paquebot France, Armelle Bouchet Mazas, Paris 2006p. 169) where shapes and colours are fragmented in a kaleidoscopic fashion. “Camargue” is reproduced in the “Tapisserie d’Aubusson” sample collection of the Guéret Chamber of Commerce and Industry published in the early 1980’s to illstrate the technical competence of the Aubusson workshops.   Bibliography : Exhibition catalogue Hilaire, œuvre tissé, galerie Verrière, 1970 (ill.) Exhibition catalogue, du trait à la lumière, Musée Départemental Georges de la Tour at Vic-sur-Seille, 2010.
     
     

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