Petit Marc

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  • Le réviseur (the reviser)

    Aubusson tapestry woven by the Picaud workshop. With label, n°1/8. Circa 1980. Marc Petit met Jean Lurçat in 1954, went to Aubusson in 1955, exhibited his work for the first time at La Demeure in 1956, became a member of the A.P.C.T. (Association des Peintres-Cartonniers de Tapisserie) in 1958. After this lightning start to his career, he produced hundreds of cartoons, in a style all his own, where long-legged waders and acrobats wend in and out of dreamscapes.   An amusing design, which could be interpreted as the illustration of the antithesis of an author and his editor : here depicted by the curious association of a bird and a fish, in an extremely lively colour scheme.
     
  • Escorte (escort)

     
    Aubusson tapestry woven in the Picaud workshop for the Verrière gallery. With signed label, n°EA. Circa 1970.
     
    Marc Petit met Jean Lurçat in 1954, went to Aubusson in 1955, exhibited his work for the first time at La Demeure in 1956, became a member of the A.P.C.T. (Association des Peintres-Cartonniers de Tapisserie) in 1958. After this lightning start to his career, he produced hundreds of cartoons, in a style all his own, where long-legged waders and acrobats wend in and out of dreamscapes.   Again, economy of means, with broad flat tints and a narrow chromatic range, for a singular theme: a heavenly body  at the bottom of the sea, ‘escorted’ by worrying fish, a singular dawn (a leitmotif for the artist) of life.
  • Aube quarte (fourth dawn)

       
    Aubusson tapestry woven in the Picaud workshop. With signed label, n°2/4. Circa 1970.
     
      Marc Petit met Jean Lurçat in 1954, went to Aubusson in 1955, exhibited his work for the first time at La Demeure in 1956, became a member of the A.P.C.T. (Association des Peintres-Cartonniers de Tapisserie) in 1958. After this lightning start to his career, he produced hundreds of cartoons, in a style all his own, where long-legged waders and acrobats wend in and out of dreamscapes.     Again, economy of means, with broad flat tints and a narrow chromatic range, for a singular dawn. a theme that the artist is fond of (cf. ‘le pas de l'aube’, but also “Aurore”, ‘la nuit s'éteint’ ....). As for the flock of passing birds, this is another leitmotif, seen in ‘aube courte’ for example.

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