Plain-chant
Aubusson tapestry woven in the Legoueix workshop.
With signed label, n°1/4.
1974.
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Sautour-Gaillard had his first cartoon woven in 1971 by the Legoueix workshop (a collaboration which was to last), and from then on he designed many very large-scale projects of which the most spectacular was “Pour un certain idéal” a series of 17 tapestries dealing with the theme of Olympianism (property of the Musée de l’Olympisme in Lausanne). If at first close to lyrical abstraction, the artist produced in the 1990’s cartoons superimposing different decorative motifs, textures and figures whose unity originated in the woven texture itself. The graphic characters which figure here suggest calligraphy and are characteristic of this artist’s tapestries from 1973 – 74, using these same colours. Here is how, in reference to Music, he defined his work at the time : “From my earliest efforts, I chose to make work which would not be a synthesis of images but rather construed as the orchestration of an architecture of colours ... The sensation of an imperceptible rustling as when the careful listening to a concert becomes tapestry.” Bibliography : D. Cavelier, Jean-René Sautour-Gaillard, la déchirure, Lelivredart, 2013, ill. p.172-173
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La voix du reliquaire (the voice of the reliquary)
Aubusson tapestry woven in the Legoueix workshop. With signed label, n°1/3. 1975.Sautour-Gaillard had his first cartoon woven in 1971 by the Legoueix workshop (a collaboration which was to last), and from then on he designed many very large-scale projects of which the most spectacular was “Pour un certain idéal” a series of 17 tapestries dealing with the theme of Olympianism (property of the Musée de l’Olympisme in Lausanne). If at first close to lyrical abstraction, the artist produced in the 1990’s cartoons superimposing different decorative motifs, textures and figures whose unity originated in the woven texture itself. « La voix du reliquaire » reveals a certain proximity of the artist, in his early work, to the abstract world of Soulages or Schneider. We recognise, transposed into the wool medium, the gestures,the overflows, characteristic of the artists of the “envolée lyrique”, in a severely limited range of colours. Bibliography : D. Cavelier, Jean-René Sautour-Gaillard, la déchirure, Lelivredart, 2013, ill.p.163 -
Waistcoat l'enfant aux mirages (child with mirages)
Aubusson tapestry woven by the Legoueix workshop. 1997.Provenance : Sautour-Gaillard workshopA pupil of Wogensky at the Ecole Nationale Supérieure des Arts Appliqués, Sautour-Gaillard had his first cartoon woven in 1971 by the Legoueix workshop (a collaboration which was to last), and from then on he designed many very large-scale projects of which the most spectacular was “Pour un certain idéal” a series of 17 tapestries dealing with the theme of Olympianism (property of the Musée de l’Olympisme in Lausanne). If at first close to lyrical abstraction, the artist produced in the 1990’s cartoons superimposing different decorative motifs, textures and figures whose unity originated in the woven texture itself. The 2 waistcoats from the exhibition « Archéologies » which was held at the Inard gallery in 1997, are evidence of the wish expressed at the period by people from Aubusson, which was going through difficult times, to widen their activity : Sautour-Gaillard, who was himself an enthusiastic collector of fabrics, reveals here the same inspiration as in his contemporary woven collages. Bibliography : D. Cavelier, Jean-René Sautour-Gaillard, la déchirure, Lelivredart, 2013, ill. p.6, (worn by the artist) 296 -
Complainte (Complaint)
Aubusson tapestry woven in the Legoueix workshop. Certificate of origin signed by the artist n° 1 of 3. 1976. Sautour-Gaillard had his first cartoon woven in 1971 by the Legoueix workshop (a collaboration which was to last), and from then on he designed many very large-scale projects of which the most spectacular was “Pour un certain idéal” a series of 17 tapestries dealing with the theme of Olympianism (property of the Musée de l’Olympisme in Lausanne). If at first close to lyrical abstraction, the artist produced in the 1990’s cartoons superimposing different decorative motifs, textures and figures whose unity originated in the woven texture itself. « Complainte » reveals a certain proximity of the artist, in his early work, to the abstract world of Soulages ou Schneider. We recognise, transposed into the wool medium, the gestures,the overflows, characteristic of the artists of the “envolée lyrique”, in a severely limited range of colours. Bibliography : D. Cavelier, Jean-René Sautour-Gaillard, la déchirure, Lelivredart, 2013, ill.p.162
