290 cm

Home|290 cm

Artists -

Format -

Height

Price -

  • Oiseau de Midi (bright birds)

     
       
    Aubusson tapestry woven by the Legoueix workshop. With signed label, n°EA. 1969.
    Wogensky met Lurçat as early as 1939, but he only entered into collaboration with him after the war, designing his first cartoon in 1945 (already titled « les oiseaux » (the birds)) and soon after joined the A.P.C.T. (Association des Peintres-Cartonniers de Tapisserie). A teacher of mural art at the Ecole Nationale Supérieure des Arts Appliqués in Paris, Wogensky designed 159 cartoons up until the 1980’s, most of them woven by Legoueix. “Wool is like us in that it is warm-blooded. It is comforting and reassuring. A wall of wool, is a living, more human wall” (quoted in Robert Guinot “la Tapisserie d’Aubusson et de Felletin”, Lucien Souny, 2009). This is the artist’s credo which would invigorate his creativity, finding expression in lyrical flights (literally, as ornithological themes, often highly stylised, were among his favourites. Some cartoons, particularly at the end of the 1970’s are resolutely abstract), in cartoons inspired by “Natural History” (a title he gave to one of his works in 1961), or in cosmic themes, using constellations or other natural elements. “I always took pleasure in working on a large scale” as he also confided in Robert Guinot.   If this cartoon appears modest in comparison with other official commissions created by Wogensky (University of Strasbourg, the Senate conference hall...) its subject allows for an impression of spatial expansion, via the elan of the elliptic bird-like motifs, energized by the chromatic flattening effect of the bright red background.   Bibliography : Cat. Expo. 25 ans de tapisserie française 1944, Paris, manufacture des Gobelins, 1969, n°33 Exhibition Catalogue La Tapisserie et l’Espace, Châteauroux, couvent des Cordeliers, 1978, n°21 Exhibition catalogue Robert Wogensky, Aubusson, Musée départemental de la tapisserie, 1989, illustrated p.34 Exhibition catalogue Robert Wogensky, Angers, Musée Jean Lurçat et de la Tapisserie Contemporaine, 1989, ill. p.20
       
  • Ville (city)

     
    Aubusson tapestry woven in the  Four workshop. With signed label, n°EA. Circa 1980.  
    A former student at the ENAD in Aubusson, Lartigaud created his first  tapestry cartoon in 1968. He went on to design hundreds more, most of them woven by the  Four Workshop, in an abstract style occasionally studded with celestial bodies.
     
  • Nymphes et chasseurs (Nymphs and hunters)

          Aubusson tapestry woven in the Pinton workshop for the Compagnie des Arts Français. 1941.   The place occupied by André Planson in the history of tapestry-making is a direct result of the role that was alotted to him by Jacques Adnet in the synthesis of art and design advocated by the Compagnie des Arts Français of which he was the director. As early as 1941, Adnet approached several painters (Brianchon, Vera,... and Planson) to design tapestry cartoons in the context of furniture and interior design : “our intention was to demonstrate that contemporary tapestries have much to contribute to the integrated design of a room” (L. Chéronnet, Jacques Adnet, Art et Industrie 1948). The Compagnie des Arts Français organised throughout the 1940’s tapestry exhibitions on its premises. These ambitious decorative aspirations, which were important in encouraging the renewal of the art of the tapestry, remain however somewhat irrelevant to the preoccupations of Lurçat and his followers.   The gracious and joyful attributes (compare with the contemporary creations of Lurçat or Gromaire) of the Compagnie are plainly evident in this cartoon dating from 1941 which brings right up to date the traditional tapestry themes of the hunting scene and bucolic pleasures in a voluntarily innovative style which is highly decorative. Although certain technical innovations typical of the Lurçat doctrine are already assimilated (limited palette, irregular stitch size) it is to be noted that this decorative intention is still influenced by techniques associated with painting (the use of perspective, and shading for flesh colours...)
  • Composition orange

     
     
    Aubusson tapestry woven in the Goubely workshop. Circa 1940.
             

Title

Go to Top