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Aubusson tapestry woven by the Picaud workshop. With label, n°1/6. Circa 1970.Elie Grekoff, whose aesthetic is similar to that of Lurçat, designed over 300 cartons.“The little bird catcher” is typical of a vein characteristic of Grekoff where melancholic children consider each other within a dream-like landscape against a background of large flat areas of colour, redolent of an illustration for a folk tale.
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Paysage bleu aux papillons (blue landscape with butterflies)
Elie Grekoff, whose aesthetic is similar to that of Lurçat, designed over 300 cartons : here we find evidence of the artist’s evolution from the 1960’s onwards, as the human or animal figures disappear from his work. The recurrent theme is one where a heavenl_ bod_ (the sun, the moon) appears half-hidden behind foliage.Tapestry woven by the ATA (Atelier de Tapisserie d'Angers). With signed label, n°1/4. Circa 1970. -
Marchande d'illusions (the dream vendor)
Elie Grekoff, whose aesthetic is similar to that of Lurçat, designed over 300 cartons “The dream vendor” is typical of a vein characteristic of Grekoff where melancholic children consider each other, as in a scene on a stage, redolent of an illustration for a folk tale.Aubusson tapestry woven by the Pinton workshop. With label. Circa 1955. -
Chardons aux papillons blancs (Thistles with white butterflies)
Elie Grekoff, whose aesthetic is similar to that of Lurçat, designed over 300 cartons until the early 1980s. Here we find the sharp shapes typical of tapestry in the immediate post-war period. Note the motif which, amusingly enough, goes beyond the border-frame.Aubusson tapestry woven by the Caron workshop. With signed label, n°EA. Circa 1970.
