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  • Le rouge et le noir (the red and the black)

       
    Aubusson tapestry woven in the Braquenié workshop. With label. Circa 1960.
            Lucas was a protagonist of tapestry renewal in Belgium following on from the “Forces murales” collective. He gave a certain number of cartoons to the Braquenié workshop in Malines in the years 1956 – 1957, designed in a style somewhat reminiscent of Picart le Doux.  
     
  • Poissons et grives (fish and thrushes)

       
    Aubusson tapestry woven in the Ponthieu workshop. With signed label. Circa 1960.
             
  • Composition

       
    Aubusson tapestry woven in the Four workshop. N°6/6. Circa 1980.
       
     
  • Les épées d'or (the golden swords)

     
    Aubusson tapestry woven in the Braquenié workshop. With label. Circa 1960.
       
       
  • Lente approche (slow approach)

     
    Aubusson tapestry woven in the Braquenié workshop. With label. Circa 1960.
       
       
  • Soleil d'août (august sun)

        Aubusson tapestry woven by the Braquenié workshop. With signed label. 1958.            
  • Composition

     
    Aubusson tapestry woven in the Henry workshop. With signed label, n°1/1. 1984.
       
       
  • La sylve (the forest)

     
     
    Tapestry woven by the Braquenié workshop. With label. 1968.
        Representing the prolific Belgian school of modern tapestry, Mary Dambiermont, is one of its most sensitive protagonists whose work is resolutely figurative. She made her tapestry début at the age of 24 in 1956 and that led her to a close collaboration with the Braquenié establishment in 1958 and from there to two participations in the Biennales de tapisserie in Lausanne in 1962 and 1965. The world she inhabits is a singular place peopled with hieratic figures, often feminine who inhabit dream-like landscapes which are strange and occasionally troubling. Sometimes however, nature is sufficient unto itself, although not often on the scale of this work (12 m2 !), abandoning any attempt at storytelling, as if an echo of bygone times in the history of Tapestry making : “With its twentieth century foliage, it reveals the ancient architecture of an immutable forest.” (Paul Caso, Mary Dambiermont, p.56)       Bibliography : Paul Caso, Mary Dambiermont, Editions Arts et voyages, 1975, ill p.54-55
  • Le clown (the clown)

       
    Aubusson tapestry woven by the Hecquet workshop. With signed label, n°1/1. 1974.
     
     
     
  • Composition

     
    Aubusson tapestry woven by the Caron workshop. Circa 1970.
         

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