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  • Hommage à Vivaldi (a tribute to Vivaldi)

          Aubusson tapestry woven by the Berthaut workshop. With signed label. 1963.      
  • Visage (face)

       
    Tapestry probably woven in the Picaud workshop in Aubusson. Circa 1980.
       
  • Le feuillage bleu (the blue foliage)

          Tapestry woven by the Baudonnet workshop. With signed label. 1965.      
  • Saint-Mars (composition blues black yellow red white)

     
     
    Aubusson tapestry woven in the Tabard workshop. With label. 1963.
        From early on in his career, Mortensen, favoured an abstract painting style. He settled in Paris in 1947 and showed his works, with other artists also inclined to geometric abstraction, at the Denise René gallery. In 1952 under the aegis of François Tabard and Vasarely an exhibition titled « 12 original tapestries » opened at the gallery where, in the company of Le Corbusier and Léger, there appeared works by Deyrolle, Taueber-Arp and Mortensen who thus became the first abstract painters to be reproduced in tapestry and a new art form was born (in this context, it must not be forgotten that this is the period where the “Lurçat style” was absolutely dominant) which Gilioli, Matégot and Tourlière will all subsequently claim as their own. Mortensen’s collaboration with the “René-Tabard tapestries” will last until 1968, even though he returned to his native Denmark in 1964. The 14 works of the artist which will be woven are characterised by his large-scale geometrical  compositions, using bright, light and contrasting colours in large expanses of colour, which the weavers of the Tabard workshop reproduce with great success.   « One of the loveliest » of Mortensen’s tapestries according to Valentine Fougère (Tapisseries de notre temps, Paris 1969), « Saint Mars », a somewhat obscure title, derives directly from an engraving from 1962. The style which is wholly geometric, consisting of blocks of primary colour and surrounded by a frame, is characteristic of this artist’s style in the years 1961-2. This model, which was to be found both at the Mobilier National (bought from the Denise René gallery in 1963) and also at the Cité de la Tapisserie in Aubusson, was woven in 2 sizes :  3 and 6 sqm big, respectively.         Bibliography : Madeleine Jarry, la Tapisserie, art du XXe siècle, Fribourg, 1974, ill. n°145 Exhibition catalogue, Aubusson, la voie abstraite, Aubusson, Musée départemental de la Tapisserie, 1993, ill. p.14 (on a photograph of a 1964 exhibition at the Denise René gallery) p.32 Acts of the colloquium, la tapisserie hier et aujourd’hui, Paris, 2011, ill. n°6 p.213 Visitor’s guide, nef des tentures, Cité internationale de la Tapisserie, Aubusson, 2016, ill. p.84
  • Jardin champêtre (country garden)

       
    Aubusson tapestry woven in the Hamot workshop. With signed label, n°3/6. 1980.
       
  • Les zèbres (zebras)

     
       
    Aubusson tapestry woven by the Pinton workshop. With label, n°3/6. Circa 1970.
           
  • Voleur de soleil (Sun thief)

       
    Aubusson tapestry woven in the Legoueix workshop. With signed label, n°5/6. Circa 1970.
       
  • Sables rouis (retted sands)

     
       
    Tapestry woven in the Brachet workshop. With signed label, n°EA1. 1987.
       
  • Ciel de Sienne (Sky in Sienna)

         
    Aubusson tapestry woven by the Pinton workshop. N°4/6. Circa 1960.
     
  • Portrait de famille (family portrait)

       
    Tapestry woven by the Atelier de Tapisserie d'Angers . With signed label, n°4/6. 1972.
     
           

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