130 cm


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  • Opaline

       
    Aubusson tapestry woven by the Pinton workshop. With label, n°1/6. Circa 1980.
       
     
    Best known as an engraver, Davo reproduces in tapestry the result of his research in that medium, based on the oxydation of different metals placed on the copper plate, hence its iridescent-solarizing effects.
  • L'étang (the pond)

       
    Aubusson tapestry woven in the  Legoueix workshop. With signed label, n°6/6. Circa 1965.
       
      It was in 1953 that Jean Picart le Doux proposed to Chaye to become his assistant and encouraged him to design tapestry cartoons : he would produce numerous bucolic cartoons, but also views of Normandy (Mont Saint Michel, Honfleur, regattas,…) whence  he came.   An exact reproduction of the cartoon “Nénuphars” (waterlilies), the only difference being the change of the background colour from the original green.  
    Bibliography : Simon Chaye tapisseries contemporaines, Editions Librairie des musées, 2014
     
  • Oiseau pilote (Pilot bird)

    Aubusson tapestry woven in the Legoueix workshop. With signed label, n°1/6. 1969.
    A member of the A.P.C.T. (Association des Peintres-Cartonniers de Tapisserie), Wogensky is one of the many artists who would follow in Lurçat’s footsteps immediately after the war. At first influenced by his predecessor, Wogensky’s subsequent work (159 cartoons according to the 1989 exhibition catalogue) would evolve during the 1960’s towards a, not completely self-avowed, lyrical abstraction, from cosmic-astronomical themes expressed in decomposed, moving, birdlike shapes to cartoons both more refined and less dense. Although always claiming to be a painter, the artist’s conception of tapestry is extremely well thought out : “the realisation of a mural cartoon…. requires the consideration of a space which is no longer ours alone, by the nature of its dimensions, its scale, it also imposes a grand gesture which transforms and accentuates our presence.” « Oiseau pilote » in the singular, like its path  « time-weaving » its way through a red sky (cf. “Oiseaux de Midi”, or “Envol” from the same year) forming a shape (or even a veritable dynamic!) showing the way and guiding us to follow... Bibliography : Exhibition catalogue Robert Wogensky, Aubusson, Musée départemental de la tapisserie, 1989 Exhibition catalogue Robert Wogensky, Angers, Musée Jean Lurçat et de la Tapisserie Contemporaine, 1989 Exhibition Catalogue Tissages d’ateliers-tissages d’artistes, Angers, Musée Jean Lurçat et de la Tapisserie Contemporaine, 2004
     
     
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