Rêve gris (Grey dream)
Aubusson tapestry woven by the Glaudin-Brivet workshop.
With signed label, n°6/6.
Circa 1980.
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An unreferenced artist, Monique Brix submitted a few tapestry cartoons to Aubusson which were woven by the Glaudin-Brivet or Pinton workshops.
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La rivière d'argent (the silver river)
Aubusson tapestry woven in the Hamot workshop to the artist’s cartoon. With certificate of origin signed by the artist. 1965. It was in 1953 that Jean Picart le Doux proposed to Chaye to become his assistant and encouraged him to design tapestry cartoons : he would produce numerous bucolic cartoons, but also views of Normandy (Mont Saint Michel, Honfleur, regattas,…) whence he came. A classic cartoon in the naturalistic vein of this particular artist, who made a speciality of enclosures, hedges and riverbanks with animals. Bibliography : Simon Chaye tapisseries contemporaines, Editions Librairie des musées, 2014, ill. p.32 -
Waistcoat l'enfant aux mirages (child with mirages)
Aubusson tapestry woven by the Legoueix workshop. 1997.Provenance : Sautour-Gaillard workshopA pupil of Wogensky at the Ecole Nationale Supérieure des Arts Appliqués, Sautour-Gaillard had his first cartoon woven in 1971 by the Legoueix workshop (a collaboration which was to last), and from then on he designed many very large-scale projects of which the most spectacular was “Pour un certain idéal” a series of 17 tapestries dealing with the theme of Olympianism (property of the Musée de l’Olympisme in Lausanne). If at first close to lyrical abstraction, the artist produced in the 1990’s cartoons superimposing different decorative motifs, textures and figures whose unity originated in the woven texture itself. The 2 waistcoats from the exhibition « Archéologies » which was held at the Inard gallery in 1997, are evidence of the wish expressed at the period by people from Aubusson, which was going through difficult times, to widen their activity : Sautour-Gaillard, who was himself an enthusiastic collector of fabrics, reveals here the same inspiration as in his contemporary woven collages. Bibliography : D. Cavelier, Jean-René Sautour-Gaillard, la déchirure, Lelivredart, 2013, ill. p.6, (worn by the artist) 296 -
Ichtyonis
Tapestry woven in the Raymond workshop. Complete with certificate of origin signed by the artist, n°EA1. Circa 1980. Originally an engraver (Prix de Rome, intaglio technique in 1942), Jean-Louis Viard designed his first tapestry cartoons in the mid 1950’s. At first his work was figurative (he was collaborating at the time with Picart Le Doux), but then he evolved along the same lines as many other painter-cartoonists of the period (Matégot, Tourlière or Prassinos,...) towards abstraction. He produced scores of cartoons working up until the 2000’s, in parallel to his work as a painter and engraver, but throughout revealing a particular interest for the use of contrasting materials and textures in the tradition of the “Nouvelle Tapisserie” of which Pierre Daquin was one of the leading lights. The inspiration for his motifs, sometimes metaphysical (“Mémoires” Memories, “Destins” Destinies,…) is wide-reaching, from astronomical infinity « ténèbres solaires » solar darkness) to the microscopic (« Mutation végétale” Plant mutation) : a profuse and varied production, regularly exhibited at his home, in various public and private exhibition spaces and, most significantly, at the Salon Comparaison of which he was the curator for the Tapestry section. Origin : the artist’s workshop -
L'éveil (the awakening)
Aubusson tapestry woven in the Legoueix workshop. n°4/6. 1969. It was in 1953 that Jean Picart le Doux proposed to Chaye to become his assistant and encouraged him to design tapestry cartoons : he would produce numerous bucolic cartoons, but also views of Normandy (Mont Saint Michel, Honfleur, regattas,...) whence he came. Here birds and trelliswork cohabit in a style very reminiscent of Picart le Doux. Bibliography : Simon Chaye tapisseries contemporaines, Editions Librairie des musées, 2014, ill. p.30 -
Saint François parlant aux animaux (St Francis talking to the animals)
Aubusson tapestry woven in the Perathon workshop. Circa 1940. Jean Bazaine, like many of his contemporaries, was a prolific mural artist particularly for large scale edifices. Although he is above all recognised as a designer of stained glass windows and mosaics, he was also making tapestry cartoons as early as the 1930’s. These pieces formed part of the renewal of religious art of which Bazaine would be one of the principal protagonists, particularly after the war. Jean Bazaine, in association with l’abbé Morel (one of those foremost in promoting the introduction of abstract art into churches), was at the head of a painters’ workshop from 1936 to 1937 hence, undoubtedly, the preoccupations which he had already voiced in the domain of religious art. This particular cartoon, figurative in character, (Bazaine would abandon figurative representation during the war period) employing traditional iconography, is thus a modest example of the artist’s first steps in both mural and religious art.
